Irreversible

Time destroys everything.

A man wakes in a subway tunnel, broken and disoriented. Gaspar Noé unravels the night backwards, fragmenting causality itself as violence cascades through the lives of three Parisians. The film is an assault—visceral, uncompromising—that strips away comfort and narrative safety. Told in reverse, it transforms revenge and trauma into a meditation on the irreversible damage of a single act.