Collections
Classic franchises, filmmaker universes, cinematic movements — explore horror by affinity rather than genre.
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Michael Myers, Laurie Strode, John Carpenter. The franchise that defined the modern slasher.
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A Nightmare on Elm Street and its sequels. Wes Craven and the monster who kills in dreams.
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James Wan's extended universe: The Conjuring, Annabelle, The Nun, La Llorona.
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Sam Raimi, Bruce Campbell, and the Necronomicon. The cult trilogy and its reboots.
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Ridley Scott, James Cameron, David Fincher — the horrific odyssey in space.
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Wes Craven and meta-horror. Ghostface, the rules of the slasher and their subversions.
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Hereditary, Midsommar, Beau Is Afraid. The heir of American slow-burn horror.
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Get Out, Us, Nope — American social horror seen by a genius auteur.
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Halloween, The Thing, The Fog — 40 years of pure, minimalist, definitive genre.
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Saw, The Conjuring, Insidious — the most prolific architect of the modern jump-scare.
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Oculus, Hush, Ouija 2 — the master of domestic and psychological horror.
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A Nightmare on Elm Street, Scream, The Hills Have Eyes — an immense legacy.
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Hereditary, Midsommar, The Witch, Men, Lamb — arthouse horror at its peak.
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Get Out, Halloween 2018, The Black Phone — the micro-budget formula for maximum impact.
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Ringu, Ju-On, Dark Water, Pulse — the aesthetic revolution from Japan.
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Martyrs, Inside, High Tension — the most radical French horror cinema.
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Host, Creepshow, Lake Mungo — exclusive productions from the horror platform.
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The Conjuring, The Amityville Horror, Zodiac — when horror comes from reality.
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