Wedding Trough

He prefers a sow. And he will know the enjoyment and the joys of fatherhood.

A solitary man develops an increasingly perverse relationship with a ceramic vessel, treating it as a living companion in a ritual of transgressive desire. This psychological descent spirals into acts of intimacy and degradation, blurring the lines between obsession and pathology. Zéno's provocation forces viewers into the darkest corners of human isolation and fetishized longing, where objects become extensions of fractured consciousness.